Kristian Ekenberg, the recipient of the prestigious Lagercrantzen prize for cultural criticism, finds himself at home amidst the geometric architecture of Gävle, the very city that once inspired Agnes von Krusenstjerna’s laments about its rigid design. The newly built Agnes cultural center, a golden, curvilinear structure, stands as a stark contrast to the city’s traditional square buildings, a fitting tribute to the author who spent her formative years there. For Ekenberg, a Gävle native, this city holds both his past and his present, his upbringing in the working-class district of Brynäs shaping his perspective and his passion for local culture fueling his work. His parents, though not avid theatergoers themselves, instilled in him a deep appreciation for the arts, fostering a belief in the transformative power of education. This foundation, combined with a voracious appetite for literature and later film, propelled him towards a career in cultural journalism.
Ekenberg’s journey began with a fascination for the written word, escaping into the pages of books that offered him glimpses into worlds beyond his own. This early love for literature expanded his horizons, both intellectually and existentially, providing him with a deeper understanding of his place within society. As a teenager, his interest shifted to film, leading him to discover film reviews in the local newspaper, Gefle Dagblad. A perceptive teacher recognized his passion and facilitated his entry into the world of journalism, allowing him to begin writing for the paper while still in high school. He reflects on this experience with a tinge of wistfulness, acknowledging the stark contrast between the information landscape of his youth and the overwhelming digital deluge of today. He questions whether such an opportunity would be possible in the present day, lamenting the loss of the simple act of engaging with printed material out of sheer boredom.
His journalistic pursuits led him to the bustling city of Gothenburg for journalism school, where he continued to hone his craft, freelancing for various magazines, including Café and Res. He fondly recalls the anticipation he felt for the hefty September issues of magazines like Vanity Fair, immersing himself in the works of Anglo-Saxon writers such as James Wolcott, A.A. Gill, Craig Brown, Marina Hyde, and Anthony Lane. Their wit and incisiveness resonated deeply with him, demonstrating that cultural commentary could be both insightful and entertaining. This exposure broadened his stylistic sensibilities and influenced his approach to criticism. While the allure of the larger media landscape was undeniable, Ekenberg ultimately found himself drawn back to his roots, recognizing the vital role of local journalism in preserving and promoting the cultural fabric of his hometown.
Gävle, a city of just over 100,000 inhabitants, presents unique challenges and opportunities for a cultural critic. The close-knit community means encountering the subjects of his reviews in everyday life is unavoidable, a dynamic he navigates with sensitivity. While aware of the impact his words can have, he strives for a balance between critical evaluation and constructive feedback. He acknowledges the precarious position of artists in a smaller city, taking into consideration the limited resources and support they often receive. This awareness adds another layer of complexity to his role, requiring him to approach his critiques with nuance and empathy. He emphasizes the importance of tone, advocating for critical analysis that avoids unnecessary harshness.
The political climate in Gävleborg adds another dimension to Ekenberg’s work. The region has witnessed turbulent debates surrounding cultural policy, with some politicians openly advocating for budget cuts and the closure of cultural institutions. Ekenberg sees his role as a vital counterbalance to these forces, using his platform to advocate for the importance of the arts and to hold those in power accountable. His articles have, at times, played a crucial role in preventing the closure of libraries and sparking public discourse on cultural issues. He recognizes the impact of his voice in the local community and strives to use it responsibly, championing the value of culture in all its forms. He underscores the importance of local media in preserving the historical narrative of a city, fostering a sense of shared identity and purpose.
Ekenberg’s work extends beyond the confines of Gävle. He recognizes the interconnectedness of local and global events, emphasizing the need to address national and international issues within the context of the local community. He cites the example of the Russian invasion of Ukraine, highlighting how he sought out local expertise to provide context and analysis for his readers. This commitment to both local relevance and global awareness reflects his belief in the power of cultural journalism to inform and engage on a multifaceted level. His dedication to his craft and his community has earned him the Lagercrantzen prize, a recognition of his significant contributions to cultural criticism. His journey reflects the transformative power of education, the enduring importance of local journalism, and the unwavering belief in the power of culture to shape and enrich our lives. He embodies the spirit of the award, demonstrating the intellectual breadth, stylistic sharpness, and unwavering commitment to cultural discourse that the Lagercrantzen prize celebrates.
