This article from Dagens Nyheter (DN), published on December 13, 2024, and updated on December 14, 2024, presents a curated list of recommended films currently showing in cinemas. The piece highlights three films: ”Flow. Katten som slutade vara rädd för vatten” (Flow. The Cat Who Stopped Being Afraid of Water), ”Family Time,” and ”Strange Darling.” The article specifically draws attention to the much-anticipated thriller/horror film, ”Strange Darling,” noting its 90s vibe. The recommendations are offered by DN’s film editors, Helena Lindblad and Nicholas Wennö, who regularly provide insights into the cinematic landscape for the newspaper’s readership. The brief introduction serves primarily to pique readers’ interest and encourage them to explore the full reviews and recommendations within the complete article, which is accessible to subscribers. The excerpt provided does not delve into the specific merits or critiques of the films, opting instead to function as a preview of the editors’ selections.
”Strange Darling” takes center stage in this introductory excerpt, likely due to pre-release buzz or critical anticipation. The editors’ description as a ”thriller/horror” film immediately establishes its genre and hints at its potential appeal to fans of suspense and fright. The reference to a ”90s vibe” adds another layer of intrigue, suggesting a stylistic or thematic connection to the cinematic trends of that decade. This vague yet evocative description invites speculation about the film’s aesthetic, plot, and overall tone. It could imply a return to certain visual styles, narrative tropes, or even a resurgence of specific genre conventions popular during the 1990s.
The inclusion of ”Flow. The Cat Who Stopped Being Afraid of Water” and ”Family Time” alongside ”Strange Darling” suggests a diverse range of cinematic offerings. While the article snippet provides no further details about these two films, their titles hint at vastly different themes and target audiences. ”Flow” appears to be a family-friendly film, possibly animated or live-action, centered around an animal protagonist. ”Family Time,” as the title suggests, likely explores family dynamics and relationships. By presenting these varied titles, the editors cater to a broader audience, demonstrating that the current cinematic landscape offers something for everyone, from thrill-seeking horror fans to families looking for wholesome entertainment.
The provided text also showcases DN’s subscription model. The incomplete nature of the excerpt serves as a gateway to the full article, prompting readers to subscribe in order to access the complete film recommendations and reviews. This strategy allows potential subscribers a taste of the content while simultaneously incentivizing them to join the DN readership. The call to action within the excerpt highlights the benefits of subscribing, including access to all articles on the DN website and app, as well as a limited-time promotional offer.
The mention of DN’s film editors, Helena Lindblad and Nicholas Wennö, adds credibility to the recommendations. By emphasizing the expertise of these individuals, DN positions itself as a reliable source of film criticism and guidance. Readers are more likely to trust the opinions of established film critics, making the recommendations more persuasive and encouraging engagement with the full article. This also strengthens DN’s brand as a provider of quality cultural journalism.
In summary, the short excerpt functions as a teaser for a more comprehensive film review article. It highlights ”Strange Darling” as a noteworthy thriller/horror release with a perceived ”90s vibe,” while also mentioning ”Flow. The Cat Who Stopped Being Afraid of Water” and ”Family Time” to cater to diverse cinematic preferences. The primary purpose of the excerpt is to attract readers to DN’s subscription service by showcasing a snippet of its film coverage and emphasizing the expertise of its film editors. The strategic placement of the call to action underscores the value of subscribing to access the complete content and informed opinions of the DN film critics. The article effectively uses a concise preview to entice potential readers and promote its subscription service.
