Linn Ullmann’s novel, ”Det dyrbara” (The Precious), is being adapted into a six-part television series for SVT, directed by Mikael Marcimain. The story revolves around the disappearance of a young woman, a theme Ullmann deliberately chose to explore and deconstruct, acknowledging its prevalence in literature. While the missing woman serves as a central catalyst, the narrative delves into the complex lives of a family grappling with their own internal struggles. Jon, the father, is a writer grappling with writer’s block and infidelity, while Siri, the mother, manages two restaurants and contends with her own mother’s alcoholism. Their teenage daughter, Alma, acutely observes her parents’ deceptions and mourns the loss of the missing woman, her beloved nanny. This intricate web of relationships forms the core of what Marcimain describes as ”a gripping family drama with strong relatable elements.”
The novel, originally published in 2012, presents a snapshot of a specific time and societal context, which both Ullmann and Marcimain recognize needs careful consideration for a contemporary adaptation. The passage of time, particularly the impact of the #MeToo movement, necessitates a reevaluation of certain dynamics within the story. Ullmann highlights the relationship between Jon and the young nanny as an example, noting how what might have been perceived as less problematic in 2012 now reads as ”creepy” in a post-#MeToo world. This sensitivity to evolving social norms underscores the collaborative effort between author and director to ensure the adaptation remains relevant and resonant with modern audiences. The adaptation process involves a delicate balance of staying true to the original work while acknowledging the shifts in societal perceptions over the past decade.
Marcimain, known for his visually rich and period-specific portrayals in projects like ”Call Girl,” ”Upp till kamp,” and ”Lasermannen,” brings his expertise to this contemporary setting. While his previous work has often focused on recreating specific eras, ”Det dyrbara” presents a new challenge: adapting a relatively recent story to an even more current context. This necessitates not only updating the setting but also revisiting the character dynamics, particularly the portrayal of the father, Jon. The initial depiction of Jon, a successful writer engaging in extramarital affairs, requires careful recalibration to navigate the complexities of contemporary masculinity and power dynamics. The collaborative process between Ullmann and Marcimain involves open communication and a shared understanding of the need to adapt the story while preserving its essence.
The collaboration between Ullmann and Marcimain is characterized by mutual respect and a shared vision for the series. While Ullmann expresses a desire to maintain a degree of separation, allowing Marcimain the creative freedom to interpret her work, she remains available for consultation. This dynamic, likened to a parent-child relationship where the parent (Ullmann) awaits contact rather than initiating it, reflects a trust in Marcimain’s ability to navigate the complexities of the adaptation. Marcimain, in turn, recognizes the importance of respecting the source material while also acknowledging the need to make adjustments for a modern audience. The aim is to create a series that resonates with contemporary viewers while remaining faithful to the spirit of Ullmann’s novel.
Beyond the dramatic elements, both Ullmann and Marcimain acknowledge the presence of humor within the story, suggesting that the series will explore a nuanced range of emotions. Marcimain believes that humor can often emerge from dark situations, adding another layer of complexity to the narrative. This interplay between drama and humor will contribute to the overall richness of the series, allowing for a more authentic and engaging portrayal of the characters and their struggles. The series promises to be more than just a drama; it’s a nuanced exploration of family dynamics, societal expectations, and the changing landscape of relationships.
The adaptation of ”Det dyrbara” represents a significant undertaking, requiring careful consideration of the evolving cultural landscape and the specific challenges of translating a literary work to the screen. The collaboration between Linn Ullmann and Mikael Marcimain, with their respective expertise and shared vision, promises a compelling and thought-provoking series that explores the complexities of family, relationships, and the ever-shifting nature of societal expectations. The series, scheduled to premiere in autumn 2026, is currently in the casting stage, further heightening anticipation for this adaptation of Ullmann’s acclaimed novel. The combined talents of Ullmann and Marcimain, along with the complex and timely themes explored in the novel, suggest that ”Det dyrbara” will be a significant addition to television drama.
