Basel Adra, director of the Oscar-nominated documentary ”No Other Land,” confronts a deeply complex reality. The film’s recognition, a significant achievement, is overshadowed by the escalating violence and oppression in Masafer Yatta, a region south of Hebron in the West Bank, where the documentary was filmed. Adra’s somber demeanor during an interview reflects the grim situation on the ground, where clashes between Palestinians and Israeli settlers and military forces have intensified. While the film gains international acclaim, the realities faced by the Palestinian communities it portrays remain dire, with increasing illegal settlements, displacement of villagers, and blocked access to vital resources like olive groves.
”No Other Land,” a collaborative effort by Adra and three fellow activists – two Palestinians and two Israelis – documents the decades-long struggle of Palestinians against displacement. The film offers a stark portrayal of the escalating conflict, capturing the demolition of homes and schools, the violent confrontations, and the relentless efforts of the Israeli military to control the land. Adra’s personal connection to the struggle adds depth and urgency to the film, showcasing his family’s lifelong battle to remain on their land. The documentary seamlessly weaves together footage of protests from Adra’s childhood with present-day confrontations, illustrating the ongoing and intergenerational nature of the conflict. The team’s decision to document the events stemmed from a desire to amplify the voices of the residents and expose the injustices they face, going beyond their previous activism through social media and articles.
The film prominently features Yuval Abraham, an Israeli Jew and Adra’s close friend and ally in the struggle. Abraham’s presence provides a unique perspective, highlighting his freedom of movement in contrast to the restrictions faced by Adra, who is often subjected to arduous and time-consuming checkpoints and limitations on travel. Abraham’s outspoken support for Palestinian rights has drawn intense criticism and even death threats in Israel, underscoring the deeply divisive nature of the conflict. Through their conversations, the film underscores the stark reality of the situation and the different experiences of those involved. The scenes featuring Adra and Abraham offer moments of reflection amidst the chaotic and violent confrontations, allowing viewers to grasp the personal toll of the conflict.
The documentary doesn’t shy away from depicting the dangers and violence inherent in the struggle. Adra’s commitment to documenting the escalating conflict puts him at considerable risk, facing physical attacks and arrest from the Israeli military seeking to suppress his recordings. The film includes harrowing scenes of violent clashes, including the shooting and subsequent paralysis of Adra’s neighbor during a confrontation over a generator, and the alleged shooting of Adra’s cousin by an armed settler. Despite the inherent dangers, Adra feels compelled to document these events, driven by a sense of responsibility to expose the injustices being perpetrated. He acknowledges the fear he experiences but emphasizes the importance of capturing these acts of violence and human rights abuses, viewing it as a critical part of the fight for justice and recognition.
Despite the film’s international acclaim and numerous awards, including the prestigious Berlin Film Festival’s Best Documentary prize, Adra expresses disappointment that the situation on the ground hasn’t improved. The recognition and accolades received by ”No Other Land” contrast sharply with the worsening conditions faced by the Palestinian community in Masafer Yatta, highlighting the gap between international awareness and concrete action. Adra’s frustration underscores the ongoing displacement and destruction faced by the community, emphasizing the urgent need for a resolution to the conflict. He notes that while the film has generated significant reactions in festivals, cinemas, and media outlets worldwide, the daily lives of the people in Masafer Yatta continue to be characterized by increasing hardship and violence.
The film’s depiction of the conflict is deeply personal and visceral. The audience is confronted with the very real struggle for survival faced by the residents of Masafer Yatta as they fight to maintain their homes and livelihoods under constant threat of demolition and displacement. Adra’s firsthand account, combined with the intimate footage captured during protests and confrontations, provides a raw and unflinching view of life under occupation. The film also reveals the emotional toll the conflict takes on individuals and families. Viewers are left to contemplate the devastating impact of prolonged conflict on a community and the resilience of those who continue to resist displacement. While the future remains uncertain, Adra remains committed to the fight, hoping that the film’s message will ultimately contribute to a more just and peaceful resolution.
